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[108] Joe Morgenstern of The Wall Street Journal commended James' and Blanchett's performances, the sets, costumes, and minimal digital effects, as well as Branagh's direction, stating he "set a tone of lushly sustainable fantasy that's often affecting, frequently witty, seldom cloying, nearly free of self-comment and entirely free of irony." [109] Likewise, Claudia Puig of USA Today complimented the performances along with Branagh and screenwriter Chris Weitz for "ground[ing] this romantic tale with sincerity amid the dazzle." [110] Betsy Sharkey of the Los Angeles Times praised Blanchett's and James' performances and described the film as a "poetically, if not prophetically, imagined storybook fable" that succeeds because of its earnestness, humor, its lack of modern-day pretenses, and Branagh's "singular focus"

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and her bodice lights up to match the colour of her skirt