Inclusions - Aesthetics of the Capitalocene Christine Rusiniak ’ —­­­ Max Porter ‘To

’ —­­­ Max Porter ‘To read Rebecca Tamás is to feel weirdly

Von der »wandernden Gebärmutter« über die »Hysterie« bis hin zum sich nur äußerst langsam wandelnden Verständnis für Menstruation und Menopause – all diese Diagnosen und Entwicklungen zeugen von einer männlich geprägten

” —Ashley Dawson

It is an incremental process of recalibration that supports and informs how we are able to digest our experiences and consciously navigate the future

Inclusions - Aesthetics of the Capitalocene Christine Rusiniak ’ —­­­ Max Porter ‘ToToday, the ecological catastrophe challenges us to rethink the space our societies have assigned to art. Creativity, critical thinking, exchange, transcendence, the relationship to the Other and to History are values intrinsic to artistic practice that will soon be of vital importance for the future of mankind. We need art to give a meaning to our lives, and the banks will not supply that. By attempting to unfold a few of the aesthetic figures